Flying over the Rainbow: Guru Studio’s creation of True and the Rainbow Kingdom

Flying over the Rainbow: Guru Studio’s creation of True and the Rainbow Kingdom

Canada's Guru Studio has emerged as a global force in children’s entertainment, creating some of the world’s best known and loved character-driven animated shows. Their brand new Netflix Original series, True and the Rainbow Kingdom, follows the adventures of 8-year old True and her cat Bartleby as they help to solve the problems of the Rainbow Kingdom. With Redshift, ‘True and the Rainbow Kingdom’ would become one of the first TV series to be exclusively rendered on a GPU.

CHOCOLATE TRIBE BRINGS LIFE TO ROBOT & SCARECROW

Chocolate Tribe was responsible for over 90% of all the 140 Redshift rendered VFX shots on Robot & Scarecrow, the latest short film from acclaimed UK director Kibwe Tavares.

Winning the Lottery -  SHED uses Redshift to depict a dream life

Montreal-based animation studio SHED create 30 days in 30 seconds for The Daily Grand Lottery.

Working with Gods: Tendril create a unique story for American Gods

Canadian animation studio Tendril entrance us with their short five-minute opening sequence for the American Gods series.

Crafting the Performance : Redshift enables Gentleman Scholar to bring ‘Mia & Morton’ to life.

Gentleman Scholar is a creative production company drawn together by a love for design and an eagerness to push boundaries

Falcon’s Digital Media launches Kennedy Space Center Heroes & Legends Attraction with Redshift

Falcon's Digital Media launches Kennedy Space Center Visitor Complex's Heroes & Legends featuring the U.S. Astronaut Hall of Fame® Attraction, made possible with Redshift

Redshift releases integration for SideFX Houdini

Redshift has today announced its integration with the procedural animation tool Houdini, created by SideFX Software Inc.

Unparalleled quality: Legendary studio Polygon Pictures Inc. chooses Redshift

Polygon Pictures Inc. are well-known as one of the oldest and most recognized digital animation studios in the world, contributing to an endless stream of Emmy award-winning projects. The secret to Polygon’s impressive pipeline? There is no clear border between art and technology; each supplements the other in order to create the best content possible.

THRUST: CGSociety’s 15th Anniversary Challenge winners announced

The CGSociety THRUST competition provides a platform for the community to share spectacular renders of incredible spacecraft. As a key sponsor, Redshift would like to congratulate this year's winners.

Blue Zoo delivers Redshift-rendered Christmas short in record time

Featuring the mischievous elves from the original, Blue Zoo's seasonal sequel No More Stuff was produced in record time using the world’s fastest production-quality, GPU-accelerated renderer Redshift.

Golaem & Redshift make crowd rendering faster than ever

Golaem now includes a rendering plugin for Redshift for Maya. Redshift users can now access all the benefits of procedural rendering with shading variety and rendering optimizations.

Creating photoreal graphics with Megascans rendered in Redshift

Photorealistic textures created by Quixel's Megascans software rendered in Redshift 2.0.

Redshift on-demand with Deadline 8 and Thinkbox Software

You can now access Redshift on-demand! Usage Based Licensing (UBL) for Redshift is now available via Deadline 8 and the Thinkbox Store

Gnomon Redshift Workshop: Introduction to Production-Ready Rendering

3D Artist Christophe Desse from Naughty Dog recently took to the stage at a Gnomon school presentation to share how he quickly renders a vehicle and achieves great results fast.

No strings attached: Jim Henson’s Creature shop delivers digital puppetry with Redshift

In combining the craft of physical puppetry with the digital creativity of VFX, entertainment icon Jim Henson’s Creature Shop has built something astonishing. Read how the old and new came together to deliver the Redshift-rendered Word Party.

2016 CGarchitect.com Architectural 3D Awards

In such a competitive field it becomes more and more difficult make yourself seen, so it was a great pleasure to be able to sponsor the 2016 CGarchitect.com Architectural 3D Awards.

Redshift renders stop motion commercials at Gimpville

Norwegian animation outfit Gimpville faced a momentous task when asked to render a commercial celebrating insurance company Gjensidige’s 200th anniversary. But thanks to experience with clients such as Ikea and Volkswagen – and with creative support from Redshift – the studio knew it could deliver an animation befitting of such a long legacy.

Redshift 2.0 takes ‘Best in Class’ in 3D World

3D World magazine reviews Redshift 2.0, awarding it 'best in class' with a 5 star rating. Read the full review.

Contribute to Redshift tutorials

The Redshift community needs you! We’re on the lookout for talented artists from the Redshift community to share their knowledge through learning resources. Read on to find out how you can get involved.

Play Of The Game: Redshift powers Blizzard’s stunning Overwatch animations

Blizzard’s Overwatch shorts have rocked the gaming community due to their stunning cinematography, fluid animation, and mesmeric use of color. In order to deliver them on a tight turnaround and within a whole new pipeline, the team needed a renderer both versatile and rapid.

Redshift plug-in for The Foundry’s KATANA

We’re proud to announce a new technical collaboration between Redshift and The Foundry’s lighting and look development tool, KATANA. The collaboration will work towards a Redshift plugin for KATANA that will be commercially available to purchase.

Redshift at SIGGRAPH 2016

We're going to be at this month's SIGGRAPH in Anaheim! We'll be on booth 377 for demos and will be taking part in a Birds of a Feather panel, 'Rendering in 2016 and Beyond – the tools changing the trade' alongside VFX studios and other rendering innovators.

Vive la Revolution: Redshift changes the game for intro cinematics

With a small team, a modest budget and little time, three creatives crafted an engaging and attention-grabbing intro cinematic for video game sequel Homefront: The Revolution. Find out how Fire Without Smoke told 50 years of alternate history in just two minutes, and discover the technology it used to tell it…

Redshift releases version 2.0 of GPU render engine

It’s here! We’ve released Redshift 2.0 – an extensive update to our GPU-accelerated, biased renderer. Read on to find out about the new features, including volumetrics, new SSS models and nested dielectrics. Expand your artistic horizons…

Digital Dimension: delivering 36,000 frames a week with Redshift

Having served the VFX and animation sector for two decades, Digital Dimension knows a thing or two about hitting quality. But when the team tackled 160 separate CG shorts for one single project, the studio had to deliver quantity too…

Tackling TV turnarounds – How Redshift streamlines VFX Legion’s remote workflow

Redshift is built for speed, efficiency, and excellence, and so is VFX Legion. Read on to discover how this remote visual effects studio meets the strict deadlines of both film and television projects despite being spread across the globe – all with a little help from Redshift.

Building a bigger arch-viz business with Redshift for 3ds Max

Norwegian studio Goldbox thrives in the competitive architectural visualization space. Empowered by its choice of renderer, the studio is establishing an empire on a remarkably elegant, understated GPU pool.

3DArtist Issue 93: “Faster Than Light” Redshift feature

We catch up with 3D Artist magazine – joined by Blue Zoo, Glassworks and Outpost VFX – to find out how Redshift is revolutionizing the industry

Blizzard’s Overwatch animated shorts rendered with Redshift

Blizzard release Overwatch animated shorts ‘Recall’ and ‘Alive’, fully rendered with Redshift!

Five reasons to adopt GPU rendering in 2016

The rise of GPU-based rendering in the VFX and CG space is growing ever more prominent. As an alternative to rendering from the CPU, working with your GPU presents a very tempting option. But is it really worth the switch from the familiar realm of harnessing the power of your CPU? We highlight five reasons why we believe GPU rendering is the way forward in 2016.

Leveling the playing field: How MediaMonks Stockholm competes with Redshift

For longer than most, MediaMonks Stockholm has been setting new standards in VFX production. Empowered by Redshift’s rendering technology, that work grows more ambitious by the day

Redshift Benchmark Scene winners announced

Winners of Redshift's benchmark scene competition revealed with prizes sponsored by NVIDIA.

Redshift earns five star rating from 3D Artist

Redshift gets reviewed In the latest 3D Artist issue 91 and earns a full five star rating.

Redshift rated 5/5 and earns best in class by 3D World

3D World magazine reviews Redshift with a 5 star verdict, earning best in class.

Rendering cuteness – capturing character through minimalism

To celebrate Miffy the bunny's 60th anniversary, creative London studio Blue Zoo guided the iconic Dick Bruna illustrations into the CG realm for the very first time – all with a little help from Redshift.

Introducing Redshift for 3ds Max demo

We’re pleased to announce that the 3ds Max demo of Redshift is now available to download!

Serving a goddess – how Glassworks helped Nike launch a legend

Technical footwear titan Nike is named after the Greek goddess of speed. So when production house Glassworks was asked to build a high-end Nike promo, it was fitting that they picked Redshift as their renderer of choice.

MORE STUFF! Redshift renders Blue Zoo’s hilarious Christmas short

Award-winning animation studio Blue Zoo has rendered its brilliant Christmas short, using Redshift as its backbone. "They say you can't have quality, speed and budget efficiency at the same time – I think Redshift has well and truly broken that rule!”

A Quick Hello – Hammerhead’s Aloha rendering

To serve the demands of major Hollywood production Aloha, Hammerhead needed to deliver quality with speed. Redshift Render allowed the team to do just that.

Create Redshift’s official benchark scene

We’re happy to announce our first major competition in collaboration with NVIDIA. The challenge is about creating Redshift’s official benchmark scene for a chance to win an NVIDIA Quadro M6000 and Redshift license for the 1st place winner.

Speed Is King – GPU rendering at Outpost VFX

Finding the right renderer is more about creating stunning visuals – it’s about streamlining production and giving artists the space to explore their creativity. For the Bournemouth-based Outpost VFX, Redshift is the solution that meets those needs and more.

Redshift wins CG Awards’ new application award

Redshift has won the 3D World CG Award for the best new application!

How one VFX artist made these 3 minutes of madness

Great fxguide article featuring Alf Lovvold and his zombie trailer which was rendered in Redshift!

Redshift nominated in the “New Application” category of CGAward

Redshift has been nominated in the "New Application" category at ‪#‎CGAwards‬!

Lycra scoops Gold for Best FX/CGI at Creative Circle

Congratulations to Glassworks for "Lycra Moves You" winning Gold for Best FX/CGI at Creative Circle!

Danny And The Wild Bunch

"Danny and the wild Bunch" is a short film directed by Rob Rugan. It was rendered with Redshift and has already won several film festival awards!

Glassworks uses Redshift for their Cadbury ‘Womb’ commercial

​Glassworks, the multiple-award-winning studio with offices in London, Barcelona and Armsterdam, used Redshift to make this wonderful commercial for Cadbury.

A message from OutpostVFX

It always makes us feel warm and fuzzy inside when we read customer stories like this one...